Blast outside Delhi High Court 4 dead 30 injured At 10:15 am on Gate no 5
Posted by BlueHead | 11:05 PM | Blast at Delhi High Court, Blast at Delhi High Court 30 Killed, Blast In Delhi 4 dead 30 injured At 10:15, Blast in Delhi At 10:15 Am 7Sep 2011, Bomb blast outside Delhi HC 4 killed many injured | 0 comments »Samajwadi Party Leader Amar Singh Arrested And Sent To Tihar Jail In Cash For Votes Case
Posted by BlueHead | 5:52 AM | Amar Singh arrested, Amar Singh arrested for July 2008, Amar Singh arrested in cash for votes case, Amar Singh arrested sent to Tihar, Samajwadi Party Leader Amar Singh Arrested | 0 comments »Amar Singh arrested, sent to Tihar in cash-for-votes case
Rajya Sabha MP Amar Singh has been arrested and sent to Tihar Jail, after a Delhi court turned down his plea for bail in the cash-for-votes scam during the July 2008 trust vote in Parliament.
Rajya Sabha MP Amar Singh has been arrested and sent to Tihar Jail, after a Delhi court turned down his plea for bail in the cash-for-votes scam during the July 2008 trust vote in Parliament.
India Beat England Poonam Pandey Hot Girl Strip For The Indian Cricket Team
Posted by BlueHead | 10:54 PM | Hot Girl Photos, hot images of poonam pandey, India Beat England Poonam Pandey Hot Girl, poonam pandey hot, Poonam Pandey Hot Girl Strip For Indian Cricket Team, poonam pandey hot images | 0 comments »Freddie Mercury's 65th Birthday Google Doodle Honors Late Queen singer
Posted by BlueHead | 9:31 PM | freddie mercury 65th birthday, freddie mercury biography, freddie mercury birth place, freddie mercury doodle, freddie mercury google doodle, freddie mercury indian, freddie mercury songs | 0 comments »India Vs England T20 Watch Live - from 9.30pm IST, Aug 31
Posted by BlueHead | 11:58 PM | Ind vs eng, india vs england live streaming, india vs england live streaming star cricket, India vs England T20 Live score, India vs England T20 Live Streaming, India vs England T20 match 2011 | 0 comments »Manchester, Aug 31: The humiliation at the hands of England in the test series is a thing of the past now, and it would pay rich dividends for India if they go into the limited overs leg of the tour with the same thought. England host India in a one off T20 before the ODIs kick in. The T20 could well turn out to be what sets the tone for the ODI series and both teams will be eager to win.
6.8 magnitude Strong earthquake hits north-eastern Japan Fukushima
Posted by BlueHead | 6:27 AM | 6.8 magnitude, 6.8 magnitude Strong earthquake hits north-eastern Japan, 6.8-magnitude earthquake Japan's northeastern coast Friday, earthquake japan, japan tsunami, Miyagi Fukushima coast | 0 comments »Strong earthquake hits north-eastern Japan, tsunami warning issued
A 6.8-magnitude earthquake struck off Japan's northeastern coast Friday, triggering a 50 cm (20 inch) tsunami warning that was lifted about 35 minutes later.
A 6.8-magnitude earthquake struck off Japan's northeastern coast Friday, triggering a 50 cm (20 inch) tsunami warning that was lifted about 35 minutes later.
Jackie Chan Dies of Heart Attack victim of yet another internet death hoax
Posted by BlueHead | 6:18 AM | jackie chan dead, jackie chan dead or alive 2011, Jackie Chan death hoax spreads virally on socialmedia, Jackie Chan Dies of Heart Attack, Jackie Chan Not death reports a hoax | 0 comments »Jackie Chan Update on Facebook
"When I work I do it from my heart, and my heart is that I bring love to the world. When I travel around the world I bring my love. I bring so much love in my heart. I hope you can feel that."
- Jackie
"When I work I do it from my heart, and my heart is that I bring love to the world. When I travel around the world I bring my love. I bring so much love in my heart. I hope you can feel that."
- Jackie
Pierre De Fermat's Last Theorem on His 410th Birth Anniversary Google Doodle
Posted by BlueHead | 3:41 AM | Fermat's Last Theorem, Fermat's principle, pierre de fermat biography, Pierre de Fermat French Mathematician, Pierre de Fermat google doodle, pierre de fermat last theore | 0 comments »Pierre de Fermat was a French lawyer and government official most remembered for his work in number theory; in particular for Fermat's Last Theorem. He is also important in the foundations of the calculus.
Pierre de Fermat
Pierre de Fermat
Born August 17, 1601(1601-08-17)
Beaumont-de-Lomagne, France
Died January 12, 1665(1665-01-12) (aged 63)
Castres, France
Residence France
Nationality French
Fields Mathematics and Law
Known for Number theory
Analytic geometry
Fermat's principle
Probability
Fermat's Last Theorem
Influences François Viète
Pierre De Fermat's Last Theorem on His 410th Birth Anniversary Doodle
Toulouse, France, and an amateur mathematician who is given credit for early developments that led to infinitesimal calculus, including his adequality. In particular, he is recognized for his discovery of an original method of finding the greatest and the smallest ordinates of curved lines, which is analogous to that of the then unknown differential calculus, and his research into number theory. He made notable contributions to analytic geometry, probability, and optics. He is best known for Fermat's Last Theorem, which he described in a note at the margin of a copy of Diophantus' Arithmetica.
Pierre Fermat's father was a wealthy leather merchant and second consul of Beaumont- de- Lomagne. There is some dispute about the date of Pierre's birth as given above, since it is possible that he had an elder brother (who had also been given the name Pierre) but who died young. Pierre had a brother and two sisters and was almost certainly brought up in the town of his birth. Although there is little evidence concerning his school education it must have been at the local Franciscan monastery.
He attended the University of Toulouse before moving to Bordeaux in the second half of the 1620s. In Bordeaux he began his first serious mathematical researches and in 1629 he gave a copy of his restoration of Apollonius's Plane loci to one of the mathematicians there. Certainly in Bordeaux he was in contact with Beaugrand and during this time he produced important work on maxima and minima which he gave to Étienne d'Espagnet who clearly shared mathematical interests with Fermat.
From Bordeaux Fermat went to Orléans where he studied law at the University. He received a degree in civil law and he purchased the offices of councillor at the parliament in Toulouse. So by 1631 Fermat was a lawyer and government official in Toulouse and because of the office he now held he became entitled to change his name from Pierre Fermat to Pierre de Fermat.
For the remainder of his life he lived in Toulouse but as well as working there he also worked in his home town of Beaumont-de-Lomagne and a nearby town of Castres. From his appointment on 14 May 1631 Fermat worked in the lower chamber of the parliament but on 16 January 1638 he was appointed to a higher chamber, then in 1652 he was promoted to the highest level at the criminal court. Still further promotions seem to indicate a fairly meteoric rise through the profession but promotion was done mostly on seniority and the plague struck the region in the early 1650s meaning that many of the older men died. Fermat himself was struck down by the plague and in 1653 his death was wrongly reported, then corrected:-
I informed you earlier of the death of Fermat. He is alive, and we no longer fear for his health, even though we had counted him among the dead a short time ago.
The following report, made to Colbert the leading figure in France at the time, has a ring of truth:-
Fermat, a man of great erudition, has contact with men of learning everywhere. But he is rather preoccupied, he does not report cases well and is confused.
Of course Fermat was preoccupied with mathematics. He kept his mathematical friendship with Beaugrand after he moved to Toulouse but there he gained a new mathematical friend in Carcavi. Fermat met Carcavi in a professional capacity since both were councillors in Toulouse but they both shared a love of mathematics and Fermat told Carcavi about his mathematical discoveries.
The period from 1643 to 1654 was one when Fermat was out of touch with his scientific colleagues in Paris. There are a number of reasons for this. Firstly pressure of work kept him from devoting so much time to mathematics. Secondly the Fronde, a civil war in France, took place and from 1648 Toulouse was greatly affected. Finally there was the plague of 1651 which must have had great consequences both on life in Toulouse and of course its near fatal consequences on Fermat himself. However it was during this time that Fermat worked on number theory.
Fermat is best remembered for this work in number theory, in particular for Fermat's Last Theorem. This theorem states that
xn + yn = zn
has no non-zero integer solutions for x, y and z when n > 2. Fermat wrote, in the margin of Bachet's translation of Diophantus's Arithmetica
His problems did not prompt too much interest as most mathematicians seemed to think that number theory was not an important topic. The second of the two problems, namely to find all solutions of Nx2 + 1 = y2 for N not a square, was however solved by Wallis and Brouncker and they developed continued fractions in their solution. Brouncker produced rational solutions which led to arguments. Frenicle de Bessy was perhaps the only mathematician at that time who was really interested in number theory but he did not have sufficient mathematical talents to allow him to make a significant contribution.
Fermat posed further problems, namely that the sum of two cubes cannot be a cube (a special case of Fermat's Last Theorem which may indicate that by this time Fermat realised that his proof of the general result was incorrect), that there are exactly two integer solutions of x2 + 4 = y3 and that the equation x2 + 2 = y3 has only one integer solution. He posed problems directly to the English. Everyone failed to see that Fermat had been hoping his specific problems would lead them to discover, as he had done, deeper theoretical results.
Famous Quote:
"I have a truly marvelous demonstration of this proposition which this margin is too small to contain.""
India celebrated 64th independence day 15 August 2011 - Watch Live From Red Fort
Posted by BlueHead | 12:25 AM | India celebrated 64th independence day 15 August 2011, Red Fort celebrated 64th independence day, watching special programs | 0 comments »64th India Independence Day in 2011 will be celebrated on Monday, 15 August 2011.
"A moment comes, which comes but rarely in history, when we step out from the old to the new; when an age ends; and when the soul of a nation long suppressed finds utterance."
India celebrates Independence Day on August 15 each year. India became an independent nation on August 15, 1947
"A moment comes, which comes but rarely in history, when we step out from the old to the new; when an age ends; and when the soul of a nation long suppressed finds utterance."
- Pt. Jawaharlal Nehru
India celebrates Independence Day on August 15 each year. India became an independent nation on August 15, 1947
Independence Day of India is celebrated on Fifteenth of August (8/15/47) to commemorate its independence from British rule and its birth as a sovereign nation in 1947.The day is a national holiday in India. All over the country, flag-hoisting ceremonies are conducted by the local administration in attendance. The main event takes place in New Delhi, the capital city of India, where the Prime Minister hoists the national flag at the Red Fort and delivers a nationally televised speech from its ramparts. In his speech, he highlights the achievements of his government during the past year, raises important issues and gives a call for further development. The Prime Minister also pays his tribute to leaders of the freedom struggle.
Historical Background of India Independence Day
1946, the Labour government in Britain, its exchequer exhausted by the recently concluded World War II, and conscious that it had neither the mandate at home, the international support, nor the reliability of native forces for continuing to control an increasingly restless India, decided to end British rule of India, and in early 1947 Britain announced its intention of transferring power no later than June 1948.
As independence approached, the violence between Hindus and Muslims in the provinces of Punjab and Bengal continued unabated. With the British army unprepared for the potential for increased violence, the new viceroy, Louis Mountbatten, advanced the date for the transfer of power, allowing less than seven months for a mutually agreed plan for independence. In June 1947, the nationalist leaders, including Pandit Nehru, Abul Kalam Azad, Mohammed Ali Jinnah, B. R. Ambedkar and Master Tara Singh agreed to a partition of the country along religious lines. The predominantly Hindu and Sikh areas were assigned to the new India and predominantly Muslim areas to the new nation of Pakistan; the plan included a partition of the provinces of Punjab and Bengal.
India Independence Day 2011 Celebrations
The Prime Minister of India hoists the Indian flag on the ramparts of the historical site, Red Fort (लाल क़िला), Delhi, on August 15. This is telecasted live on the National Channel Doordarshan and many other News Channels all over India. Flag hoisting ceremonies and cultural programs take place in all the state capitals. In the cities around the country the national flag is hoisted by politicians in their constituencies. In various private organisations the flag hoisting is carried out by a senior official of that organisation. All over the country, flags are given out to citizens who wear them proudly to show their patriotism towards India. Schools and colleges around the country organise flag hoisting ceremonies and various cultural events within their premises, where younger children in costume represent their idols of the Independence era.
Others as home spend this day by watching special programs on TV or going for an outing. Greater part of the individual tune in the morning to Doordarshan to view the live broadcast of Prime Minister’s speech at Delhi at the Red Fort since it’s the highlight of the Independence Day celebration in India. Prime Minister’s speech and nationalistic song and documentaries viewing excerpts from the independence struggle are televised on the local channels, whilst the private TV stations have enough programs to ensure their viewers are pleased throughout the day.
They broadcast cultural shows, movies related to independence, as well as India nationalist songs which relive the patriotism in individuals. Shops across India are instructed to remain closed on the day, but you can see some small stores and groceries open starting late in the afternoon. All offices stay closed on the 15th of August.
A nice and wonderful place to hang out in the middle of the night as the center of attraction on Independence Day is the India Gate because the formation is beautifully illuminated. The sky is occupied with kites of numerous colors and shapes.
Historical Background of India Independence Day
1946, the Labour government in Britain, its exchequer exhausted by the recently concluded World War II, and conscious that it had neither the mandate at home, the international support, nor the reliability of native forces for continuing to control an increasingly restless India, decided to end British rule of India, and in early 1947 Britain announced its intention of transferring power no later than June 1948.
As independence approached, the violence between Hindus and Muslims in the provinces of Punjab and Bengal continued unabated. With the British army unprepared for the potential for increased violence, the new viceroy, Louis Mountbatten, advanced the date for the transfer of power, allowing less than seven months for a mutually agreed plan for independence. In June 1947, the nationalist leaders, including Pandit Nehru, Abul Kalam Azad, Mohammed Ali Jinnah, B. R. Ambedkar and Master Tara Singh agreed to a partition of the country along religious lines. The predominantly Hindu and Sikh areas were assigned to the new India and predominantly Muslim areas to the new nation of Pakistan; the plan included a partition of the provinces of Punjab and Bengal.
India Independence Day 2011 Celebrations
The Prime Minister of India hoists the Indian flag on the ramparts of the historical site, Red Fort (लाल क़िला), Delhi, on August 15. This is telecasted live on the National Channel Doordarshan and many other News Channels all over India. Flag hoisting ceremonies and cultural programs take place in all the state capitals. In the cities around the country the national flag is hoisted by politicians in their constituencies. In various private organisations the flag hoisting is carried out by a senior official of that organisation. All over the country, flags are given out to citizens who wear them proudly to show their patriotism towards India. Schools and colleges around the country organise flag hoisting ceremonies and various cultural events within their premises, where younger children in costume represent their idols of the Independence era.
Others as home spend this day by watching special programs on TV or going for an outing. Greater part of the individual tune in the morning to Doordarshan to view the live broadcast of Prime Minister’s speech at Delhi at the Red Fort since it’s the highlight of the Independence Day celebration in India. Prime Minister’s speech and nationalistic song and documentaries viewing excerpts from the independence struggle are televised on the local channels, whilst the private TV stations have enough programs to ensure their viewers are pleased throughout the day.
They broadcast cultural shows, movies related to independence, as well as India nationalist songs which relive the patriotism in individuals. Shops across India are instructed to remain closed on the day, but you can see some small stores and groceries open starting late in the afternoon. All offices stay closed on the 15th of August.
A nice and wonderful place to hang out in the middle of the night as the center of attraction on Independence Day is the India Gate because the formation is beautifully illuminated. The sky is occupied with kites of numerous colors and shapes.
Again Google Page Ranke Update August 2001 After June 27th 2011
Posted by BlueHead | 10:05 PM | Google Page Ranke Update August 2001, Google Pr News 2011, Google Pr Update 2011, Google PR update August 2011, Google Pr Update News August 2011, Page Ranke Update August 2001 After June 27th 2011 | 0 comments »Congratulations All Webmasters That Google Has Updated Page Rank Again In August 2011
It is surprising but interesting again when my friend informed me that My site Page Ranke is Update Again and i got new PR
It is surprising but interesting again when my friend informed me that My site Page Ranke is Update Again and i got new PR
Google has given Surprised to every webmasters. Google has updated PR Again in Augut 2011 Starting another page rank update after June 27th 2011. It is really surprised for me and other webmasters that google has updated page rank in short period of time.
Google PR updated once again in August 2011! So how was your results?
I think i need to do hard work on my Link Building.It will be better if Google Updates page rank in every Month.Let See what would be next ?
And Not Get Google PR Update August 2011 Better Luck Nex Time
Google is going crazy. Btw I'm waiting for SERP updates, when the next one will happen?
What is your Page Rank After This August 2011 page Rank update? Comment me.
Upcomming Search Terms
Google Page Ranke Update August 2001
Page Ranke Update August 2001 After June 27th 2011
Google Pr Update 2011
Google PR update August 2011
Google Pr Update News August 2011
Google Pr News 2011
Gooogle Update Pr In August 2011
Google PR updated once again in August 2011! So how was your results?
I think i need to do hard work on my Link Building.It will be better if Google Updates page rank in every Month.Let See what would be next ?
And Not Get Google PR Update August 2011 Better Luck Nex Time
Google is going crazy. Btw I'm waiting for SERP updates, when the next one will happen?
What is your Page Rank After This August 2011 page Rank update? Comment me.
Upcomming Search Terms
Google Page Ranke Update August 2001
Page Ranke Update August 2001 After June 27th 2011
Google Pr Update 2011
Google PR update August 2011
Google Pr Update News August 2011
Google Pr News 2011
Gooogle Update Pr In August 2011
Manmohan Singh And Sonia Gandhi Funny Images In Villegian Roll
Posted by BlueHead | 11:13 PM | funny pics of sonia gandhi, manmohan and sonia funny photos, manmohan singh funny pics, Sonia gandhi and manmohan singh funny pics | 0 comments »Manmohan Singh And Sonia Gandhi Funny Images In Villegian Roll
Manmohan Singh And Sonia Gandhi(Madam) Funny Images In Villegian Roll
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Google Doodles Alexander Calder's 113th Birthday on sculptures
Posted by BlueHead | 1:55 AM | Alexander Calder, alexander calder google doodle, alexander calder mobiles, alexander calder sculpture images, alexander calder sculptures | 0 comments »Google has an interactive Doodle up for Alexander Calder's 113th birthday. When you click and drag on the parts of the Doodle, it starts moving the entire Doodle around. This, however, can't be seen on Firefox or Internet Explorer, apparently. I was able to view it on Safari on Mac (though I couldn't click on it to take me to a results page for Alexander Calder directly) and it reportedly works on Google Chrome. Google says that this is the first Doodle made on its HTML5 canvas and it's recommended that you use a 'modern browser' to view the Doodle. There have been reports of Firefox and Linux crashing for some users trying to view the Doodle.
Google software engineer, Jered Wierzbicki says, “It runs a physics simulation on the mobile’s geometry, and then does realtime 3D rendering with vector graphics. Only recently have browsers advanced to the point where this is possible.”
Alexander Calder was an American sculptor and an artist. His signature work was inventing mobile sculptures, which is what the Doodle displays. He was born on the 22nd of July, 1898 in Lawnton, Pennsylvania and came from a family of sculptors and artists. Both, his father and his grandfather were sculptors and his mother was a portrait painter. His paintings and sculptures exist in various places around the world including Montreal, Paris and Lisbon.
Biography Alexander Caldes
Alexander Calder was born in 1898, the second child of artist parents—his father was a sculptor and his mother a painter. Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood. Calder was encouraged to create, and from the age of eight he always had his own workshop wherever the family lived. For Christmas in 1909, Calder presented his parents with two of his first sculptures, a tiny dog and duck cut from a brass sheet and bent into formation. The duck is kinetic—it rocks back and forth when tapped. Even at age eleven, his facility in handling materials was apparent.
Despite his talents, Calder did not originally set out to become an artist. He instead enrolled at the Stevens Institute of Technology after high school and graduated in 1919 with an engineering degree. Calder worked for several years after graduation at various jobs, including as a hydraulics engineer and automotive engineer, timekeeper in a logging camp, and fireman in a ship's boiler room. While serving in the latter occupation, on a ship from New York bound for San Francisco, Calder awoke on the deck to see both a brilliant sunrise and a scintillating full moon; each was visible on opposite horizons (the ship then lay off the Guatemalan coast). The experience made a lasting impression on Calder: he would refer to it throughout his life.
Calder committed to becoming an artist shortly thereafter, and in 1923 he moved to New York and enrolled at the Art Students League. He also took a job illustrating for the National Police Gazette, which sent him to the Ringling Brothers and Barnum & Bailey Circus to sketch circus scenes for two weeks in 1925. The circus became a lifelong interest of Calder's, and after moving to Paris in 1926, he created his Cirque Calder, a complex and unique body of art. The assemblage included diminutive performers, animals, and props he had observed at the Ringling Brothers Circus. Fashioned from wire, leather, cloth, and other found materials, Cirque Calder was designed to be manipulated manually by Calder. Every piece was small enough to be packed into a large trunk, enabling the artist to carry it with him and hold performances anywhere. Its first performance was held in Paris for an audience of friends and peers, and soon Calder was presenting the circus in both Paris and New York to much success. Calder's renderings of his circus often lasted about two hours and were quite elaborate. Indeed, the Cirque Calder predated performance art by forty years.
Calder found he enjoyed working with wire for his circus: he soon began to sculpt from this material portraits of his friends and public figures of the day. Word traveled about the inventive artist, and in 1928 Calder was given his first solo gallery show at the Weyhe Gallery in New York. The show at Weyhe was soon followed by others in New York, as well as in Paris and Berlin: as a result, Calder spent much time crossing the ocean by boat. He met Louisa James (a grandniece of writer Henry James) on one of these steamer journeys and the two were married in January 1931. He also became friendly with many prominent artists and intellectuals of the early twentieth century at this time, including Joan Miró, Fernand Léger, James Johnson Sweeney, and Marcel Duchamp. In October 1930, Calder visited the studio of Piet Mondrian in Paris and was deeply impressed by a wall of colored paper rectangles that Mondrian continually repositioned for compositional experiments. He recalled later in life that this experience "shocked" him toward total abstraction. For three weeks following this visit, he created solely abstract paintings, only to discover that he did indeed prefer sculpture to painting. Soon after, he was invited to join Abstraction-Création, an influential group of artists (including Arp, Mondrian, and Hélion) with whom he had become friendly.
In the fall of 1931, a significant turning point in Calder's artistic career occurred when he created his first truly kinetic sculpture and gave form to an entirely new type of art. The first of these objects moved by systems of cranks and motors, and were dubbed "mobiles" by Marcel Duchamp—in French mobile refers to both "motion" and "motive." Calder soon abandoned the mechanical aspects of these works when he realized he could fashion mobiles that would undulate on their own with the air's currents. Jean Arp, in order to differentiate Calder's non-kinetic works from his kinetic works, named Calder's stationary objects "stabiles."
In 1933, Calder and Louisa left France and returned to the United States, where they purchased an old farmhouse in Roxbury, Connecticut. Calder converted an icehouse attached to the main house into a studio for himself. Their first daughter, Sandra, was born in 1935, and a second daughter, Mary, followed in 1939. He also began his association with the Pierre Matisse Gallery in New York with his first show in 1934. James Johnson Sweeney, who had become a close friend, wrote the catalogue's preface. Calder also constructed sets for ballets by both Martha Graham and Eric Satie during the 1930s, and continued to give Cirque Calder performances.
Calder's earliest attempts at large, outdoor sculptures were also constructed in this decade. These predecessors of his later imposing public works were much smaller and more delicate; the first attempts made for his garden were easily bent in strong winds. Yet, they are indicative of his early intentions to work on a grand scale. In 1937, Calder created his first large bolted stabile fashioned entirely from sheet metal, which he entitled Devil Fish. Enlarged from an earlier and smaller stabile, the work was exhibited in a Pierre Matisse Gallery show, Stabiles and Mobiles. This show also included Big Bird, another large work based on a smaller maquette. Soon after, Calder received commissions to make both Mercury Fountain for the Spanish Pavilion at the Parisian World Fair (a work that symbolized Spanish Republican resistance to fascism) and Lobster Trap and Fish Tail, a sizable mobile installed in the main stairwell of the Museum of Modern Art in New York.
When the United States entered World War II, Calder applied for entry to the Marine Corps but was ultimately rejected. He continued to create: because metal was in short supply during the war years, Calder turned increasingly to wood as a sculptural medium. Working in wood resulted in yet another original form of sculpture, works called "constellations" by Sweeney and Duchamp. With their carved wood elements anchored by wire, the constellations were so called because they suggested the cosmos, though Calder did not intend that they represent anything in particular. The Pierre Matisse Gallery held an exhibition of these works in the spring of 1943, Calder's last solo show at that gallery. His association with Matisse ended shortly thereafter and he took up the Buchholz Gallery/Curt Valentin as his New York representation.
The forties and fifties were a remarkably productive period for Calder, which was launched in 1939 with the first retrospective of his work at the George Walter Vincent Smith Gallery in Springfield, Massachusetts. A second, major retrospective was exhibited at the Museum of Modern Art in New York just a few years later, in 1943. In 1945, Calder made a series of small-scale works; in keeping with his economy, many were made from scraps of metal trimmed while making larger pieces. While visiting Calder's studio about this time, Duchamp was intrigued by these small works. Inspired by the idea that the works could be easily dismantled, mailed to Europe, and re-assembled for an exhibition, he planned a Calder show at Galerie Louis Carré in Paris. This important show was held the following year and Jean-Paul Sartre wrote his famous essay on Calder's mobiles for the exhibition catalogue. In 1949, Calder constructed his largest mobile to date, International Mobile, for the Philadelphia Museum of Art's Third International Exhibition of Sculpture. He designed sets for "Happy as Larry," a play directed by Burgess Meredith, and for Nucléa, a dance performance directed by Jean Vilar. Galerie Maeght in Paris also held a Calder show in 1950, and subsequently became Calder's exclusive Parisian dealer. His association with Galerie Maeght lasted twenty-six years, until his death in 1976. After his New York dealer Curt Valentin died unexpectedly in 1954, Calder selected the Perls Gallery in New York as his new American dealer, and this alliance also lasted until the end of his life.
Calder concentrated his efforts primarily on large-scale commissioned works in his later years. Some of these major monumental sculpture commissions include: .125, a mobile for the New York Port Authority that was hung in Idlewild (now John F. Kennedy) Airport (1957); La Spirale, for UNESCO, in Paris (1958); Teodelapio, for the city of Spoleto, Italy (1962); Man, for the Expo in Montreal (1967); El Sol Rojo (the largest of all Calder's works, at sixty-seven feet high) installed outside the Aztec Stadium for the Olympic Games in Mexico City; La grande vitesse, the first public art work to be funded by the National Endowment for the Arts (NEA) for the city of Grand Rapids, Michigan (1969); and Flamingo, a stabile for the General Services Administration in Chicago (1973).
As the range and breadth of his various projects and commissions indicate, Calder's artistic talents were renowned worldwide by the 1960s. A retrospective of his work opened at the Guggenheim Museum in New York in 1964. Five years later, the Fondation Maeght, in Saint-Paul-de-Vence, France, held its own Calder retrospective. In 1966, Calder, together with his son-in-law Jean Davidson, published a well-received autobiography. Additionally, both of Calder's dealers, Galerie Maeght in Paris and the Perls Gallery in New York, averaged about one Calder show each per year.
In 1976, he attended the opening of yet another retrospective of his work, Calder's Universe, at the Whitney Museum of American Art in New York. Just a few weeks later, Calder died at the age of seventy-eight, ending the most prolific and innovative artistic career of the twentieth century.
source: Biography
Google software engineer, Jered Wierzbicki says, “It runs a physics simulation on the mobile’s geometry, and then does realtime 3D rendering with vector graphics. Only recently have browsers advanced to the point where this is possible.”
Alexander Calder was an American sculptor and an artist. His signature work was inventing mobile sculptures, which is what the Doodle displays. He was born on the 22nd of July, 1898 in Lawnton, Pennsylvania and came from a family of sculptors and artists. Both, his father and his grandfather were sculptors and his mother was a portrait painter. His paintings and sculptures exist in various places around the world including Montreal, Paris and Lisbon.
Biography Alexander Caldes
Alexander Calder was born in 1898, the second child of artist parents—his father was a sculptor and his mother a painter. Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood. Calder was encouraged to create, and from the age of eight he always had his own workshop wherever the family lived. For Christmas in 1909, Calder presented his parents with two of his first sculptures, a tiny dog and duck cut from a brass sheet and bent into formation. The duck is kinetic—it rocks back and forth when tapped. Even at age eleven, his facility in handling materials was apparent.
Despite his talents, Calder did not originally set out to become an artist. He instead enrolled at the Stevens Institute of Technology after high school and graduated in 1919 with an engineering degree. Calder worked for several years after graduation at various jobs, including as a hydraulics engineer and automotive engineer, timekeeper in a logging camp, and fireman in a ship's boiler room. While serving in the latter occupation, on a ship from New York bound for San Francisco, Calder awoke on the deck to see both a brilliant sunrise and a scintillating full moon; each was visible on opposite horizons (the ship then lay off the Guatemalan coast). The experience made a lasting impression on Calder: he would refer to it throughout his life.
Calder committed to becoming an artist shortly thereafter, and in 1923 he moved to New York and enrolled at the Art Students League. He also took a job illustrating for the National Police Gazette, which sent him to the Ringling Brothers and Barnum & Bailey Circus to sketch circus scenes for two weeks in 1925. The circus became a lifelong interest of Calder's, and after moving to Paris in 1926, he created his Cirque Calder, a complex and unique body of art. The assemblage included diminutive performers, animals, and props he had observed at the Ringling Brothers Circus. Fashioned from wire, leather, cloth, and other found materials, Cirque Calder was designed to be manipulated manually by Calder. Every piece was small enough to be packed into a large trunk, enabling the artist to carry it with him and hold performances anywhere. Its first performance was held in Paris for an audience of friends and peers, and soon Calder was presenting the circus in both Paris and New York to much success. Calder's renderings of his circus often lasted about two hours and were quite elaborate. Indeed, the Cirque Calder predated performance art by forty years.
Calder found he enjoyed working with wire for his circus: he soon began to sculpt from this material portraits of his friends and public figures of the day. Word traveled about the inventive artist, and in 1928 Calder was given his first solo gallery show at the Weyhe Gallery in New York. The show at Weyhe was soon followed by others in New York, as well as in Paris and Berlin: as a result, Calder spent much time crossing the ocean by boat. He met Louisa James (a grandniece of writer Henry James) on one of these steamer journeys and the two were married in January 1931. He also became friendly with many prominent artists and intellectuals of the early twentieth century at this time, including Joan Miró, Fernand Léger, James Johnson Sweeney, and Marcel Duchamp. In October 1930, Calder visited the studio of Piet Mondrian in Paris and was deeply impressed by a wall of colored paper rectangles that Mondrian continually repositioned for compositional experiments. He recalled later in life that this experience "shocked" him toward total abstraction. For three weeks following this visit, he created solely abstract paintings, only to discover that he did indeed prefer sculpture to painting. Soon after, he was invited to join Abstraction-Création, an influential group of artists (including Arp, Mondrian, and Hélion) with whom he had become friendly.
In the fall of 1931, a significant turning point in Calder's artistic career occurred when he created his first truly kinetic sculpture and gave form to an entirely new type of art. The first of these objects moved by systems of cranks and motors, and were dubbed "mobiles" by Marcel Duchamp—in French mobile refers to both "motion" and "motive." Calder soon abandoned the mechanical aspects of these works when he realized he could fashion mobiles that would undulate on their own with the air's currents. Jean Arp, in order to differentiate Calder's non-kinetic works from his kinetic works, named Calder's stationary objects "stabiles."
In 1933, Calder and Louisa left France and returned to the United States, where they purchased an old farmhouse in Roxbury, Connecticut. Calder converted an icehouse attached to the main house into a studio for himself. Their first daughter, Sandra, was born in 1935, and a second daughter, Mary, followed in 1939. He also began his association with the Pierre Matisse Gallery in New York with his first show in 1934. James Johnson Sweeney, who had become a close friend, wrote the catalogue's preface. Calder also constructed sets for ballets by both Martha Graham and Eric Satie during the 1930s, and continued to give Cirque Calder performances.
Calder's earliest attempts at large, outdoor sculptures were also constructed in this decade. These predecessors of his later imposing public works were much smaller and more delicate; the first attempts made for his garden were easily bent in strong winds. Yet, they are indicative of his early intentions to work on a grand scale. In 1937, Calder created his first large bolted stabile fashioned entirely from sheet metal, which he entitled Devil Fish. Enlarged from an earlier and smaller stabile, the work was exhibited in a Pierre Matisse Gallery show, Stabiles and Mobiles. This show also included Big Bird, another large work based on a smaller maquette. Soon after, Calder received commissions to make both Mercury Fountain for the Spanish Pavilion at the Parisian World Fair (a work that symbolized Spanish Republican resistance to fascism) and Lobster Trap and Fish Tail, a sizable mobile installed in the main stairwell of the Museum of Modern Art in New York.
When the United States entered World War II, Calder applied for entry to the Marine Corps but was ultimately rejected. He continued to create: because metal was in short supply during the war years, Calder turned increasingly to wood as a sculptural medium. Working in wood resulted in yet another original form of sculpture, works called "constellations" by Sweeney and Duchamp. With their carved wood elements anchored by wire, the constellations were so called because they suggested the cosmos, though Calder did not intend that they represent anything in particular. The Pierre Matisse Gallery held an exhibition of these works in the spring of 1943, Calder's last solo show at that gallery. His association with Matisse ended shortly thereafter and he took up the Buchholz Gallery/Curt Valentin as his New York representation.
The forties and fifties were a remarkably productive period for Calder, which was launched in 1939 with the first retrospective of his work at the George Walter Vincent Smith Gallery in Springfield, Massachusetts. A second, major retrospective was exhibited at the Museum of Modern Art in New York just a few years later, in 1943. In 1945, Calder made a series of small-scale works; in keeping with his economy, many were made from scraps of metal trimmed while making larger pieces. While visiting Calder's studio about this time, Duchamp was intrigued by these small works. Inspired by the idea that the works could be easily dismantled, mailed to Europe, and re-assembled for an exhibition, he planned a Calder show at Galerie Louis Carré in Paris. This important show was held the following year and Jean-Paul Sartre wrote his famous essay on Calder's mobiles for the exhibition catalogue. In 1949, Calder constructed his largest mobile to date, International Mobile, for the Philadelphia Museum of Art's Third International Exhibition of Sculpture. He designed sets for "Happy as Larry," a play directed by Burgess Meredith, and for Nucléa, a dance performance directed by Jean Vilar. Galerie Maeght in Paris also held a Calder show in 1950, and subsequently became Calder's exclusive Parisian dealer. His association with Galerie Maeght lasted twenty-six years, until his death in 1976. After his New York dealer Curt Valentin died unexpectedly in 1954, Calder selected the Perls Gallery in New York as his new American dealer, and this alliance also lasted until the end of his life.
Calder concentrated his efforts primarily on large-scale commissioned works in his later years. Some of these major monumental sculpture commissions include: .125, a mobile for the New York Port Authority that was hung in Idlewild (now John F. Kennedy) Airport (1957); La Spirale, for UNESCO, in Paris (1958); Teodelapio, for the city of Spoleto, Italy (1962); Man, for the Expo in Montreal (1967); El Sol Rojo (the largest of all Calder's works, at sixty-seven feet high) installed outside the Aztec Stadium for the Olympic Games in Mexico City; La grande vitesse, the first public art work to be funded by the National Endowment for the Arts (NEA) for the city of Grand Rapids, Michigan (1969); and Flamingo, a stabile for the General Services Administration in Chicago (1973).
As the range and breadth of his various projects and commissions indicate, Calder's artistic talents were renowned worldwide by the 1960s. A retrospective of his work opened at the Guggenheim Museum in New York in 1964. Five years later, the Fondation Maeght, in Saint-Paul-de-Vence, France, held its own Calder retrospective. In 1966, Calder, together with his son-in-law Jean Davidson, published a well-received autobiography. Additionally, both of Calder's dealers, Galerie Maeght in Paris and the Perls Gallery in New York, averaged about one Calder show each per year.
In 1976, he attended the opening of yet another retrospective of his work, Calder's Universe, at the Whitney Museum of American Art in New York. Just a few weeks later, Calder died at the age of seventy-eight, ending the most prolific and innovative artistic career of the twentieth century.
source: Biography
The Father of Genetics: Gregor Mendel Genetics Pea Experiment
Posted by BlueHead | 1:35 AM | gregor mendel, gregor mendel experiment, gregor mendel pea plants, The Father of Genetics: Gregor Mendel | 0 comments »The Father of Genetics: Gregor Mendel Mendel’s Genetics Pea Experiment
MENDEL, Gregor (1822-84). The laws of heredity on which the modern science of genetics is based were discovered by an obscure Austrian monk named Gregor Mendel. Yet Mendel's discoveries remained virtually unknown for more than 30 years after he completed his experiments--in spite of the fact that his papers reached the largest libraries of Europe and the United States. (See also Genetics; Heredity.)
Johann Mendel was born on July 22, 1822, in Heinzendorf, Austria. He took the name Gregor when he entered the monastery in Brunn, Moravia (now Brno, Czech Republic) in 1843. He studied for two years at the Philosophical Institute in Olmutz (now Olomouc, Czech Republic), before going to Brunn. He became a priest in 1847. For most of the next 20 years he taught at a nearby high school, except for two years of study at the University of Vienna (1851-53). In 1868 Mendel was elected abbot of the monastery.
Mendel's famous garden-pea experiments began in 1856 in the monastery garden. He proposed that the existence of characteristics such as blossom color is due to the occurrence of paired elementary units of heredity, now known as genes. Mendel presented his work to the local Natural Science Society in 1865 in a paper entitled "Experiments with Plant Hybrids." Administrative duties after 1868 kept him too busy for further research. He lived out his life in relative obscurity, dying on Jan. 6, 1884. In 1900, independent research by other scientists confirmed Mendel's results.
Gregor Mendel
The first person to discover the basic laws of heredity and suggest the existence of genes was an Austrian monk, Gregor Mendel, b. July 22, 1822, d. Jan. 6, 1884. The importance of his work was not realised until 1900, at which time his findings laid the foundation for the science of genetics.
Born Johann Mendel in Heinzendorf, Austrian Silesia (now Hyn°ice, Czech Republic), he changed his name to Gregor in 1843 when he entered the Augustinian monastery at BrŸnn (now Brno). He was ordained a priest in 1847 and in 1851 was sent to the University of Vienna for training as a teacher of mathematics and natural sciences. He returned to BrŸnn in 1854, where he taught until 1868.
In a monastery garden Mendel began (1856) the breeding experiments that led him to discover the laws of heredity. Working with garden peas, he studied seven characteristics that occur in alternative forms: plant height (tallness vs. shortness), seed colour (green vs. yellow), seed shape (smooth vs. wrinkled), seed-coat colour (gray vs. white), pod shape (full vs. constricted), pod colour (green vs. yellow), and flower distribution (along length vs. at end of stem). Mendel made hundreds of crosses by means of artificial pollination. He kept careful records of the plants that were crossed and of the offspring. In 1865, Mendel reported his findings at a meeting of the BrŸnn Natural History Society. The following year his results were published as "Experiments with Plant Hybrids" in the society's journal.
Mendel summarised his findings in three theories. He asserted that during the formation of the sex cellsÑthe egg and the spermÑpaired factors segregated, or separated. Thus a sperm or egg may contain either a tallness factor or a shortness factor, not both. This theory is called Mendel's first law, or the principle of segregation.
Mendel's second law, called the principle of independent assortment, stated that characteristics are inherited independently of one another. That is, the tallness factor may be inherited with any other factor, dominant or recessive. This law later was modified when Thomas Hunt Morgan discovered linkage, or the inheritance of two or more genes situated close to each other on the same chromosome.
The third theory stated that each inherited characteristic is determined by the interaction of two hereditary factors (now called genes), one from each parent. In the characteristics that he studied, Mendel found that one factor of the pair always predominated over the other. For example, tallness was always dominant over shortness. This theory became known as the law of dominance.
With his promotion to abbot of the monastery in 1868, Mendel gave up his experiments. Although respected by his fellow monks as well as by his students, Mendel, at the time of his death, was still not recognised as a great scientist. Sixteen years later, three European scientists - Hugo De Vries, Carl Correns, and Erich Tschermak von Seysenegg - working independently discovered Mendel's writings as they were conducting experiments similar to his and credited him as the discoverer of the laws of heredity.
source:www.angelfire.com/zine/baptistsurfer/BioMendel.html
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